☆ 中英對照‧雙語版本 ☆
在《薩克斯風每日練習‧壹》中,各式音階和琶音是針對「手指」的訓練。在《每日練習‧貳》中,【第一部分】大跳與泛音練習是針對「音色‧嘴型」的訓練,【第二部分】運舌練習是針對「運舌」的訓練。【第三部分】練習曲與【附錄】名曲技巧片段,則是三項能力的綜合應用。
For all wind instrument players, Tone/Embouchure, Tonguing, and Finger are three important fundamentals. They can be viewed as independent techniques during training. In other words, when one practices Tone/Embouchure and improves on it, the Finger won't get any benefit and vice versa. Therefore, these three fundamentals should be learned separately.
編著■李承育
1997年畢業於台灣大學土木工程系。後赴美深造,2001年獲波林格林州立大學(Bowling Green State University)薩克斯風演奏文憑;再入北德州大學(University of North Texas)取得薩克斯風演奏碩士學位,並學習爵士音樂。留美期間,古典薩克斯風師事Dr. John Sampen、Dr. Eugene Rousseau、Dr. Eric Nestler等;爵士樂演奏師事James Miglia、Mike Steniel、James Riggs等;爵士樂研究師事John Murphy。
音樂作品《爵士組曲–給薩克斯風八重奏與鼓組》獲2008年台北市文化局專業藝文音樂類創作補助,爵士大樂團作品《都會台北》獲2009年國家文化藝術基金會補助。論文《採譜分析:動機式即興在爵士音樂演奏上的應用》於輔仁大學音樂系所2008年管樂學術研討會發表,《樂團指揮在爵士大樂團中的角色扮演》於2010年指揮國際學術研討會發表。
A classical and jazz saxophonist, Cheng-yu Lee teaches saxophone and jazz history/appreciation/theory/performance in National Taipei University of Education, Hsinchu University of Education, and Fu Jen Catholic University.
During the years in U.S., he studied classical saxophone with Dr. John Sampen, Dr. Eugene Rousseau, and Dr. Eric Nestler, and jazz studies with James Miglia, Mike Steniel, James Riggs and John Murphy.
Lee released his first classical album "Fantaisie" in 2009, and was nominated the Best Arranger Award in the 21st "Golden Melody Awards". Lee is the author of "Jazz Theory for Novices" (2007), "Jazz Method for Saxophone" (2010), "Easy Pieces for Saxophone" (2011), published by Mercury Publishing House.
◎ Wide leaps 大跳
Exercise 1 練習一 ─ Exercise 2 練習二
◎ Overtones 泛音
Exercise 1 練習一 ─ Exercise 2 練習二
Exercise 3 練習三 ─ Exercise 4 練習四
Exercise 5 練習五 ─ Exercise 6 練習六
Exercise 7 練習七 ─ Exercise 8 練習八
Exercise 9 練習九 ─ Exercise 10 練習十
Exercise 11 練習十一 ─ Exercise 12 練習十二
Exercise 13 練習十三 ─ Exercise 14 練習十四
◎ Phrasing 分句
Exercise 1 練習一 ─ Exercise 2 練習二
Exercise 3 練習三
◎ Tonguing 運舌
Exercise 1 練習一 ─ Exercise 2 練習二
◎ Articulation 發音
Exercise 1 練習一 ─ Exercise 2 練習二
Exercise 3 練習三 ─ Exercise 4 練習四
Exercise 5 練習五 ─ Exercise 6 練習六
Exercise 7 練習七 ─ Exercise 8 練習八
◎ Etudes in 24 major & minor keys 廿四個大小調練習曲
Exercise 1 – C C大調 ─ Exercise 2 – A minor A小調
Exercise 3 – F F大調 ─ Exercise 4 – D minor D小調
Exercise 5 – G G大調 ─ Exercise 6 – E minor E小調
Exercise 7 – B-flat 降B大調 ─ Exercise 8 – G minor G小調
Exercise 9 – D D大調 ─ Exercise 10 – B minor B小調
Exercise 11 – E-flat 降E大調 ─ Exercise 12 – C minor C小調
Exercise 13 – A A大調 ─ Exercise 14 – F-sharp minor 升F小調
Exercise 15 – A-flat 降A大調 ─ Exercise 16 – F minor F小調
Exercise 17 – E E大調 ─ Exercise 18 – C-sharp minor 升C小調
Exercise 19 – D-flat 降D大調 ─ Exercise 20 – B-flat minor 降B小調
Exercise 21 – B B大調 ─ Exercise 22 – G-sharp minor 升G小調
Exercise 23 – F-sharp 升F大調 ─ Exercise 24 – E-flat minor 降E小調
◎ Technical extracts from masterpieces 名曲技巧片段
1. «Fantaisie sur un thème original» by Jules Demersseman
原創主題幻想曲 [1860]‧德梅瑟曼 [1833–1866]
2. «Introduction and Variations on Le Carnaval de Venise» by J. Demersseman
威尼斯狂歡節之引子與變奏‧德梅瑟曼 [1833–1866]
3. «Concerto, op.109» by Alexander Glazunov
協奏曲 [1934]‧格拉祖諾夫 [1865–1936]
4. «Scaramouche, op.165b» by Darius Milhaud - I. Vif
丑角 [1939] 第一樂章‧米約 [1892–1974]
5. «Scaramouche, op.165b» by Darius Milhaud - III. Brazileira
丑角 [1939] 第三樂章‧米約 [1892–1974]
6. «Tableaux de Provence» by Paule Maurice - V. Lou Cabridan
普羅旺斯之畫 [1954–59] 第五樂章‧莫里斯 [1910–1967]
7. «Concerto» by Pierre-Max Dubois - I. Lento expressivo - Allegro
協奏曲 [1959] 第一樂章‧杜布瓦 [1930–1995]
8. «Concerto» by Pierre-Max Dubois - III. Rondo: Allegretto
協奏曲 [1959] 第三樂章‧杜布瓦 [1930–1995]
9. «Prélude, cadence et Finale» by Alfred Desenclos
前奏、華彩段與尾聲 [1955]‧德桑克洛 [1912–1971]
10. «Caprice en forme de valse» by Paul Bonneau
圓舞曲形式的隨想曲 [1950]‧博諾 [1918–1995]
11. «Concertino da Camera» by Jacques Ibert - I. Allegro con moto
室內小協奏曲 [1935] 第一樂章‧伊貝爾 [1890–1962]
12. «Brillance» by Ida Gotkovsky - IV. Final
光輝 [1974] 第四樂章‧戈特科夫斯基 [1933– ]
13. «Concerto» by Henri Tomasi - I. Andante et Allegro
協奏曲 [1949] 第一樂章‧托馬西 [1901–1971]
14. «Concerto» by Henri Tomasi - II. Final-Giration
協奏曲 [1949] 第二樂章‧托馬西 [1901–1971]