☆ 中英對照‧雙語版本 ☆
☆附CD 2片
在《薩克斯風每日練習‧壹》和《薩克斯風每日練習‧貳》中,所有練習都是專為「音色‧嘴型」、「運舌」、「手指」而設計,目的在於學習樂器的控制。《薩克斯風每日練習‧參》則希望透過柔音、移調與慢板的各種練習,培養出薩克斯風演奏者的「音樂性」。
☆ English-Chinese Bilingual Edition ☆
In Daily Exercises for Saxophone, volume three, Vibrato (Part I) is an advanced study of Tone, Transposition (Part II) increases the connection between players and instruments. Cantabile etudes (Part III) is adapted from the renowned Concone Lessons for Voice Op. 9, and the goal is to sing through the instrument.
薩克斯風演奏家。任教於國立台北教育大學、新竹教育大學、輔仁大學音樂系,並擔任台北爵士大樂團指揮。專精古典及爵士薩克斯風演奏、爵士音樂基礎理論、爵士音樂編曲、爵士大樂團指揮等。
領導奧尼斯爵士四重奏(Onyx Jazz Quartet),2005年榮獲「克萊斯勒與ICRT爵士樂團大競技」首獎,2006年獲「大地知音音樂創意大獎賽」之創意獎,2007年發行首張專輯《Reliance》。
2009年發行古典演奏專輯《幻想曲‧Fantaisie》,並入圍第廿一屆金曲獎最佳編曲人獎。著作由世界文物出版,計有《爵士樂理入門》(2007年)、《薩克斯風即興教本》(2010年)、《薩克斯風曲集》(2011年)等。
A classical and jazz saxophonist, Cheng-yu Lee teaches saxophone and jazz history/appreciation/theory/performance in National Taipei University of Education, Hsinchu University of Education, and Fu Jen Catholic University.
During the years in U.S., he studied classical saxophone with Dr. John Sampen, Dr. Eugene Rousseau, and Dr. Eric Nestler, and jazz studies with James Miglia, Mike Steniel, James Riggs and John Murphy.
Lee released his first classical album "Fantaisie" in 2009, and was nominated the Best Arranger Award in the 21st "Golden Melody Awards". Lee is the author of "Jazz Theory for Novices" (2007), "Jazz Method for Saxophone" (2010), "Easy Pieces for Saxophone" (2011), published by Mercury Publishing House.
在《薩克斯風每日練習‧壹》和《薩克斯風每日練習‧貳》中,所有練習都是專為「音色‧嘴型」、「運舌」、「手指」而設計,目的在於學習樂器的控制。《薩克斯風每日練習‧參》則希望透過柔音、移調與慢板的各種練習,培養出薩克斯風演奏者的「音樂性」。
在開始練習之前,有幾點注意事項:
2. 柔音是《薩克斯風每日練習‧參》的練習重點,請在移調練習與慢板練習曲中使用柔音。
4. 移調練習附有伴奏音軌,請跟著練習。伴奏音軌會先演奏旋律的第一個音,請在不看樂譜的情況下隨機聆聽以練習移調。
6. 慢板練習曲以「調性」為排列順序。音階練習完畢後,建議您選擇相同調性的練習曲搭配學習。
* * *
FOREWORD
In Daily Exercises for Saxophone, volume three, Vibrato (Part I) is an advanced study of Tone, Transposition (Part II) increases the connection between players and instruments. Cantabile etudes (Part III) is adapted from the renownedConcone Lessons for Voice Op. 9, and the goal is to sing through the instrument.
1. Vibrato is an advanced study of Tone. Therefore, please practice the Tone exercises in Volume two before starting this volume.
3. The emphasis of Transposition is to sing the melody through the instrument. Just like singing, players should be able to sing/play the melody starting from any note. Try not to rely on music score. Let the melody in your head lead you.
5. There are six exercises in Transposition. Exercises 1, 2 and 5 are in major, while exercises 3, 4 and 6 are in minor.
7. There are twenty-four Cantabile etudes. Each tonality provides two different melodies (e.g., etude 1 in C major p.22 and etude 2 in C major p.23), each melody also provides two different tonalities (e.g., etude 1 in C major p.22 and etude 18 in E major p.39).
Not only virtuosity but also musicianship is required when you wish to move the audience as well as to be an outstanding musician. It needs your ears, eyes and heart to cultivate musicianship: listening to good music, watching performances, and thinking how your music could be related to the culture, to the life. With great musicianship, a saxophonist could go further into the world of musicians and artists.
◎ Prerequisites 預備練習 CD1-03 [demo.]
◎ Exercise 1 練習一 CD1-04 [demo.]
◎ Exercise 2 練習二 CD1-05 [demo.]
◎ Exercise 3 練習三 CD1-06 [demo.]
◎ Exercise 4 練習四 CD1-07, 08, 09, 10 [demo.]
◎ Exercise 1: Major 練習一:大調 CD1-11, 12, 13, 14, 15 … 22
◎ Exercise 2: Major 練習二:大調 CD1-23, 24, 25, 26, 27 … 34
◎ Exercise 3: Minor 練習三:小調 CD1-35, 36, 37, 38, 39 … 46
◎ Exercise 4: Minor 練習四:小調 CD1-47, 48, 49, 50, 51 … 58
◎ Exercise 5: Major 練習五:大調 CD1-59, 60, 61, 62, 63 … 70
◎ Exercise 6: Minor 練習六:小調 CD1-71, 72, 73, 74, 75 … 82
◎ Etude 1 in C major 練習曲一‧C大調 CD2-03 [demo.] CD2-04
◎ Etude 2 in C major 練習曲二‧C大調 CD2-05
◎ Etude 3 in F major 練習曲三‧F大調 CD2-06 [demo.] CD2-07
◎ Etude 4 in F major 練習曲四‧F大調 CD2-08
◎ Etude 5 in G major 練習曲五‧G大調 CD2-09 [demo.] CD2-10
◎ Etude 6 in G major 練習曲六‧G大調 CD2-11
◎ Etude 7 in B-flat major 練習曲七‧降B大調 CD2-12 [demo.] CD2-13
◎ Etude 8 in B-flat major 練習曲八‧降B大調 CD2-14
◎ Etude 9 in D major 練習曲九‧D大調 CD2-15 [demo.] CD2-16
◎ Etude 10 in D major 練習曲十‧D大調 CD2-17
◎ Etude 11 in E-flat major 練習曲十一‧降E大調 CD2-18 [demo.] CD2-19
◎ Etude 12 in E-flat major 練習曲十二‧降E大調 CD2-20
◎ Etude 13 in A major 練習曲十三‧A大調 CD2-21 [demo.] CD2-22
◎ Etude 14 in A major 練習曲十四‧A大調 CD2-23
◎ Etude 15 in A-flat major 練習曲十五‧降A大調 CD2-24 [demo.] CD2-25
◎ Etude 16 in A-flat major 練習曲十六‧降A大調 CD2-26
◎ Etude 17 in E major 練習曲十七‧E大調 CD2-27 [demo.] CD2-28
◎ Etude 18 in E major 練習曲十八‧E大調 CD2-29
◎ Etude 19 in D-flat major 練習曲十九‧降D大調 CD2-30 [demo.] CD2-31
◎ Etude 20 in D-flat major 練習曲二十‧降D大調 CD2-32
◎ Etude 21 in B major 練習曲廿一‧B大調 CD2-33 [demo.] CD2-34
◎ Etude 22 in B major 練習曲廿二‧B大調 CD2-35
◎ Etude 23 in F-sharp major 練習曲廿三‧升F大調 CD2-36 [demo.] CD2-37
◎ Etude 24 in F-sharp major 練習曲廿四‧升F大調 CD2-38