法國前衛新銳音樂才子2021新作

為英國金像獎電影《艾蜜莉的異想世界》製作配樂繼而聲名大噪。

他以才華橫溢，抽象化的作曲風格為世人所了解，擅長在樂曲中運用多種不同的樂器，他的音樂作品中通常使用鋼琴，手風琴和幾種小提琴作為主要樂器，但也有多首樂曲突破了這種限制。

“I think there is a similarity between the infinite big and the infinite smallness of everything,” says Yann Tiersen. “It's the same experiment looking through a microscope as it is a telescope.”

Named after a chapel in a small village on the island of Ushant, Kerber marks a new chapter in critically-acclaimed composer Yann Tiersen's career. A chapter still true to Tiersen's nuanced and subtle approach but one that sets out with his most overtly electronic material to date. Beautifully textured, highly immersive and thoughtfully constructed, Tiersen creates an electronic world, providing an environment in which the piano source exists. A sense of place has often been a central theme in Tiersen's work and here that is no different. Each track is tied to a place mapping out the immediate landscape that surrounds Tiersen's home, linking back to his thoughts on the possibilities of the infinite smallness.

This official, exclusive folio is beautifully printed on high-quality, uncoated paper with striking graphic artwork. All seven pieces are presented for solo piano and follow an exclusive introduction to the project.